Tuesday, May 15, 2012
Tom's Infidelity
Read the following article: http://voices.yahoo.com/the-truth-men-women-cheating-4872562.html?cat=41
Then, using The Great Gatsbyand your own personal philosophy, analyzetheconcept of infidelity.
Words 1-83 (Today's Words Included)...
The test on Thursday will cover the first EIGHTY (80) words.
1. patronizing
2. repress
3. pragmatic
4. reticent
5. capricious
6. frivolous
7. ignominious
8. squalor
9. subjective
10. objective
11. vulnerable
12. anomaly
13. revere
14. pretentious
15. condescending
16. alleviate
17. uncanny
18. conventional
19. vilify
20. slander
21. trepidation
22. turbulence
23. puritanical
24. crucible
25. rapturous
26. languish
27. indulge
28. hedonism
29. convoluted
30. abstention
31. misanthrope
32. avarice
33. recoil
34. enervate
35. meek
36. averse
37. relinquish
38. dissension
39. rue
40. disseminate
41. disdain
42. chastise
43. contempt
44. spurn
45. scorn
46. surreptitious
47. malice
48. stringency
49. iniquity
50. iniquitous
51. malevolent
52. malicious
53. valor
54. valorous
55. amoral
56. maniacal
57. compelling—evoking interest, attention, or admiration in a powerfully irresistible way
58. daunting—seemingly difficult to deal with; intimidating
59. cunning—having or showing skill in achieving one's ends by deceit or evasion
60. aspersion— an attack on the reputation or integrity of someone or something
a. The verb “asperse” means to attack the integrity of someone.
61. compunction—a feeling of guilt or moral scruple that follows the doing of something bad; remorse
62. absolution (n)—freedom from blame, sin, guilt; clemency; exculpation
- verb—absolve
- exculpation—(n) freedom from guilt or blame; clemency; absolution
- verb-exculpate
- limpid- clear, transparent
- latent- hidden but capable of being exposed abigail's intentions were latent in the community
- archetypal (adj)—
- quintessential (adj)—
- ambivalent (adj)—not having strong feelings of like or dislike; not affected; unsure; hesitant; of two minds
- affluent (adj)—rich; wealthy
- bombastic (adj)—pompous; pretentious
- opulent (adj)—wealthy; lavish; luxurious
- supercilious (adj)—excessively proud; arrogant
- cajole (v)—coax; wheedle; flatter; sweet talkremoved (adj)—distant; detached; uninvolved
- bigoted (adj)—racist; prejudiced; biased; xenophobiccomplacent (adj)—often without awareness of some potential danger or defect; self-satisfied
- complacent (adj)—often without awareness of some potential danger or defect; self-satisfied
- languid (adj)—lacking in spirit or interest; listless; indifferent
- discomfit (v)— humiliate; to make someone feel uneasy
- divert (v)—deflect; distract; change direction
- disputatious (adj)—inclined to argue
- intimation (n)—a hint; an insinuation; a suggestion; a warning
- to intimate (v)—to suggest; to hint
- enigma (n)—a mysterious or puzzling object/person; a person who is difficult to understand
- enigmatic (adj)—puzzling; mysterious
- pine (v)—to yearn for; suffer a mental and physical decline, esp. because of a broken heart
Friday, May 11, 2012
5: An Author's Legacy
Watch the following video:
Arthur Miller states that a great play must inform the people of their societies' problems. It is true that authors--after death--leave their legacies behind, specifically what infuriated them about their societies. Considering this philosohpy, decide upon the most powerful point Arthur Miller conveyed to people. Argue your point by supporting it with evidence from the text.
Thursday, May 10, 2012
4: The Importance of a Title
The word “crucible” is used once in the play but for an important reason; it is its title. With that point made, the word "crucible" has two definitions: (1) “severe test” and (2) "a ceramic or metal container in which metals or other substances may be melted or subjected to very high temperatures." Discuss the meaning of the title and its connection to the play. You must support your claims with thorough evidence from the text. How is it an effective title? You may also discuss the importance and connotation of “heat” in the play.
Wednesday, May 9, 2012
Notes from Today
VOCABULARY WORDS FOR 5/9
- supercilious (adj)—excessively proud; arrogant
SAMPLE SENTENCE:
- cajole (v)—coax; wheedle; flatter; sweet talk
SAMPLE SENTENCE:
Then, copy down this quote at the top of a blank sheet of paper:
It was an extraordinary gift of hope…such as I have never found in any other person and which it is not likely I shall ever find again. No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily close out my interest in the abortive (fruitless/without a product) sorrows and short-winded (short-lived/not lasting) elations (ecstasy) of men (HUMANS).
- Extraordinary—amazing—positive connotation (other words with positive connotations from passage: hope, gift, dreams, elations)—GATSBY—From these words, Gatsby is characterized as a good man.
- Prey—hunted (Animals that are hunted: rabbits, mice, deer—animals of innocence/purity) This word choice illuminates Gatsby’s vulnerability, innocence, and purity. He is the prey. It also emphasizes Gatsby’s helplessness in the situation.
- It—The thing/the person—The story, although titled The Great Gatsby, is really about the “it” that preyed upon Jay Gatsby. The narrator chooses to tell this story because he is truly bothered by what preyed upon Gatsby. Thus, the focus of the story is the “it” and not GATSBY himself. The “it” is what changes our narrator. The “it” closes our narrator off from society.
- IT—FOUL DUST—PREDATOR—Right from the start, our narrator indicates to us that it is a battle between GOOD (GATSBY) AND BAD (IT).
- wake—funeral—The word “wake hints at/provides us with the image of death. It also brings to mind the image of water (waves). It highlights the concept of the rippling effects of water.
- From the last section of this passage, we can see that this experience had a traumatizing effect on our narrator. He feels that sorrows are useless and that happiness is always short-lived.
3: Arthur Miller's Intention
Read the following excerpt from an interview with Arthur Miller. Throughout the year, we have discussed that an author writes to expose the injustices he/she sees in the world. With this in mind, were Miller's intentions SUCCESSFULLY AND EFFECTIVELY conveyed through The Crucible. Use one (1) THOROUGH EXAMPLE in your response to support your claim.
Miller’s response to why he wrote the play:
…I wished for a play that would show the sin of public terror as it divests man of conscience, of himself. I had known of the Salem witch hunt for many years before “McCarthyism” had arrived and it had always remained in inexplicable darkness to me. When I looked into it now, however, it was with the contemporary situation at my back, particularly the mystery of the handing over of conscience, which seemed to me the central and informing fact of the time. The central impulse for writing was not the social, but the interior psychological question of that guilt rising in Salem which the hysteria merely unleashed, but did not create. Consequently, the structure reflects that understanding, and it centers on John, Elizabeth, and Abigail.
NOTE: You may have to look up some of the vocabulary to truly understand Miller's point.
Tuesday, May 8, 2012
2: Elizabeth Proctor's Dilemma
Watch the video below:
http://www.youtube.com/watch?NR=1&v=Y_MeLaZuKYs&feature=endscreen
In a well-developed paragraph, discuss your interpretation of Elizabeth Proctor. How do you see her dilemma? What does it say about her if she willingly lied in court about John? Remind yourself of Act 2 because in that scene she will not let him forget his sin.
REMEMBER: The quote worksheet...
http://www.youtube.com/watch?NR=1&v=Y_MeLaZuKYs&feature=endscreen
In a well-developed paragraph, discuss your interpretation of Elizabeth Proctor. How do you see her dilemma? What does it say about her if she willingly lied in court about John? Remind yourself of Act 2 because in that scene she will not let him forget his sin.
REMEMBER: The quote worksheet...
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